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ArtPlace America Invests an Additional $14.7 Million in the Field of Creative Placemaking


(PRWEB) June 26, 2014

ArtPlace America (ArtPlace) Executive Director Jamie L. Bennett announced $ 14.7 million in 55 grants to creative placemaking projects that will work in 79 communities of all sizes across 31 states. In these projects, the arts will play an explicit and intentional role in helping to shape communities’ social, physical, and economic futures.

These grants represent 4% of the 1,270 letters of inquiry ArtPlace received this year and include eight states in which ArtPlace has not previously funded. This year, 31% of ArtPlace’s grants will go to projects working in rural communities, which compares with 17% last year.

This year’s projects include design, literary arts, performing arts, visual arts, and, for the first time ever, a media arts-focused project. This year’s grants include a notable uptick in creative interventions for improving physical environments through recycling, green initiatives, and site remediation, as well as a number of projects aimed at disaster recovery and resiliency. In addition to continuing to invest in community- and neighborhood-specific projects, ArtPlace has also increased its investments in projects that collect a series of local interventions under a regional strategy, an approach that has emerged in both rural and urban settings.

Including this year’s grants, ArtPlace has invested a total of $ 56.8 million in 189 projects in 122 communities across 42 states and the District of Columbia since 2012.

Mr. Bennett said, “We are thrilled to be able to invest in communities that have recognized the role that the arts can play in community planning and development. The range of projects this year reflects the dynamism of the creative placemaking field in this country, and also demonstrates the commitment, imagination, and vision of the community partners who have come together in them. While each community’s story is individually compelling, it is even more powerful to consider the projects together as a national movement that continues to gain momentum and scale.”

F. Javier Torres, ArtPlace’s newly appointed Director of National Grantmaking, additionally announced that ArtPlace has received a one-time grant of $ 100,000 from the Geraldine R. Dodge Foundation to leverage its investments in the projects being done by The Noyes Museum of Art in Atlantic City, NJ, and the Coopers Ferry Partnership in Camden, NJ.

Geraldine R. Dodge Foundation President and CEO Chris Daggett said, “We are proud to support the field of creative placemaking in New Jersey through this grant to ArtPlace. The Foundation has a strong history of supporting both of these organizations directly, and we are thrilled to now help connect them with the national conversation and field of practice.”

Mr. Torres added, “We are eager to continue to expand the support for creative placemaking in this country. Having the Geraldine R. Dodge Foundation join us in this way presents a new model for partnering with regionally focused philanthropies who share our commitment to making communities more sustainable, safe, and enjoyable.” Information about all the 2014 ArtPlace projects is available at http://www.artplaceamerica.org.

Examples of 2014 ArtPlace grantee projects:

Haines, AK

Alaska Arts Confluence

Although Haines is home to Fort Seward, a destination for many cruise ships, its vacant downtown storefronts leave much of the town disconnected from this important tourism economy. The Alaska Arts Confluence will contribute to the revitalization of downtown Haines by engaging the town’s many resident artists to transform vacant storefronts into active art galleries. The Confluence will commission local artists to create signage connecting these galleries with the Fort Seward tourist traffic and Chilkat artists to create a totem pole at the Soboleff-McRae Veterans Village and Wellness Center being built one block from Main Street.

Los Angeles, CA

Project 51

Play the LA River is the launch project of Project 51, a collective of artists, designers, community organizers, scholars, and urban planners. People will be invited en masse to sites along the Los Angeles River through a year-long, multi-pronged public art initiative. Through playful activities, interactions, festivals, and performances, the project will bring the 51-mile concrete river to life as a vital civic corridor and public space in Los Angeles and surrounding cities. The engagement is designed to reconnect residents with their waterfront while asking them to help imagine what future development along the River might be.

Boston, MA

Rose Kennedy Greenway Conservancy

Public Art on the Greenway connects the Rose Kennedy Greenway’s 1.5 miles of green spaces in downtown Boston by using a combination of artworks, wall-sized murals, shipping container galleries, and artist conversations to engage the public. The project features both temporary exhibits and permanent installations.

Detroit, MI

MoDCaR (Metropolitan Observatory of Digital Culture and Representation)

Building on the extraordinary musical legacy of Detroit’s Oakland North End, the Metropolitan Observatory of Digital Media and Representation, working with local stakeholders, will reactivate one linear mile of historic Oakland Avenue. O.N.E. Mile will leverage a network of architects, musicians, urban designers, contemporary artists, and community advocates to collectively plan and produce a series of vibrant civic interventions with installations, performances, events, and architectural mediations.

Jackson, MS

Coop New West Jackson

Coop New West Jackson is a project addressing neighborhood blight, deterioration, and population decline with the installation of a new multi-faceted public amenity. The Grenada Street Folk Garden, an innovatively landscaped urban farm that merges cultural folk art, ecology, and agriculture, is part of a strategy to engage and empower this low-income community through entrepreneurial opportunities, folk arts programming, affordable access to fresh food, and shared recreational green space for participatory and creative play.

Fargo, ND

City of Fargo

World Gardens Commons is an artist-led initiative that engages Fargo’s diverse communities in transforming an 18-acre storm-water detention basin into a multi-purpose and ecologically sound public commons. While the grass-covered basins effectively control torrential seasonal flooding, they are barren spaces that challenge neighborhood connectivity. The project includes restored meadows, walking trails, natural playgrounds, and spaces for gatherings and activities. It will serve as a pilot for other infrastructure redesigns throughout Fargo.

Santo Domingo Pueblo, NM

Santo Domingo Tribe

With a committee of distinguished artists and designers—including landscape architect Laurie Olin—the Santo Domingo Pueblo is focused on developing a heritage trail to connect New Mexico’s second largest pueblo nation with a newly constructed commuter rail station that will provide access to Albuquerque and Santa Fe. The trail will combine safety and convenience with identity, placemaking, and cultural expression. The project also creates new, artist-centric economic opportunities within the Pueblo. Through a partnership with the Johns Hopkins Center for American Indian Health, the Tribe will also explore how to understand and measure the ways that this trail will benefit physical and mental health.

Philadelphia, PA

The Village of Arts and Humanities

The Village of Arts and Humanities, an organization carrying out a range of arts-focused community development programs, grew out of the artistic and activist work of choreographer Arthur Hall and visual artist Lily Yeh. The Village inaugurated an artist residency program this year, in which artists live and work in the North Philadelphia community. These five-month residencies enable both formal and informal interactions among artists and neighbors, including conversations, programs, apprenticeships, and workshops, and culminate in the execution of a transformative project rooted equally in artistic practice and community engagement. The grant will continue these residencies after a successful pilot stage.

Austin, TX

Fusebox Austin

The project brings together Austin’s creative communities, city planners, developers, and local residents to envision and prototype a creative district of affordable living, working, learning, and exhibition and performance space at thinkEAST, a 24-acre former industrial site in East Austin. A “pop-up” Fusebox Festival on the property will comprise multidisciplinary performances, installations, and community events modelling a “living charrette” for a vibrant, creative, mixed use community of the future. The final stage of the project will develop a district master plan and business plan for thinkEAST to be presented to stakeholders and City Council.

Abington, VA and nine other rural Virginia communities

Barter Theatre

The Barter Theatre will develop and implement a creative industry cluster that will activate performing arts centers in nine rural towns in Southwest Virginia by creating a regional touring network and sharing programmatic and operational resources. Productions will include plays with Appalachian themes and writers and folk music of the region. The project complements an ongoing effort to help communities revive their downtown historic theaters. For a full list of 2014 projects and finalists, http://www.artplaceamerica.org.

About ArtPlace America

ArtPlace America (ArtPlace) advances the field of creative placemaking, in which art and culture plays an explicit and central role in shaping communities’ social, physical, and economic futures. To date, ArtPlace has awarded $ 56.8 million through 189 grants to projects serving 122 communities across 42 states and the District of Columbia.

ArtPlace is a collaboration among the Barr Foundation, Bloomberg Philanthropies, The Ford

Foundation, The James Irvine Foundation, The John S. and James L. Knight Foundation, The Kresge Foundation, The McKnight Foundation, The Andrew W. Mellon Foundation, The William Penn Foundation, The Rockefeller Foundation, Rasmuson Foundation, The Surdna Foundation, and two anonymous donors.

ArtPlace seeks advice and counsel from its close working relationships with the following federal agencies: the National Endowment for the Arts, the US Departments of Housing and Urban Development, Health and Human Services, Agriculture, Education, and Transportation, along with leadership from the White House Office of Management and Budget and the Domestic Policy Council.

ArtPlace has additional partnership from six major financial institutions: Bank of America, Citi, Deutsche Bank, Chase, MetLife, and Morgan Stanley.

Several of ArtPlace’s foundation partners have deep commitments to their local and regional communities and have provided enhanced funding for communities of all sizes in Alaska, California, and Minnesota; and for rural and non-metropolitan communities throughout Arizona, Iowa, Michigan, New Mexico, North Dakota, Oregon, South Dakota, Texas, Washington, and Wisconsin. Enhanced funding also exists to support the cities of Akron, OH; Boston, Cambridge, and Somerville, MA; Charlotte, NC; Detroit, MI; Macon, GA; Miami, FL; Philadelphia, PA; San Jose, CA; and St. Paul, MN. Additionally, several funders are interested in ensuring the participation and representation of folk and traditional arts, Native American arts, and the performing arts.

The deadline for submission for a 2015 grant application will be announced later this year. For more information or to join ArtPlace’s mailing list, visit http://www.artplaceamerica.org.







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Get Onto The Playing Field of Love

Getting onto the Field
Shedding a Little Light on the
Complex World of Male – Female Relationships: Why we are the Way We are.

So you’ve made it into the stadium and you are now stepping onto the playing field for your first day of practice with the Dallas Cowboys. Nervous excitement courses through your veins as the coach talks about the various formations he is going to run the team through and begins to discuss the different play calls and strategies he will be using during this season’s games.

While much of what the coach talks about initially lies within the realm of football common sense and comes easily to you, there are a few nuances in the game plan that you will be unfamiliar with. Also, some of the plays are new to you and could cause complications and confusion in the season ahead if you don’t understand them.

A team’s language will guide you in how to interact and communicate with your teammates on the playing field. This language that each player must learn is full of individual components, called the “plays.” For each “play,” there is a “plan.” Each of these “plays” and “plans” has been specially formulated through years of research and scientific study, producing entire systems of proven techniques that can make winners out of the players and teams.

Once the methods were proven effective, they were gathered together and worked into a playbook for each team to base its “plays” and “plans” on. It is that playbook that each teammate must learn in order to be part of the winning team. This process is much the same as that of the “plays” and “plans” of a relationship. You need to read the manual, learn from those who are already where you want to be in their relationships and listen actively to your partner in order to learn how to speak their language. Once you learn this language, you can enter the game confidently and achieve victory!

A woman’s perception of her relationship, as well as the language she uses within a relationship may seem very complicated, and sometimes confusing. You may find particular things in her language syntax that are hard to understand and certainly difficult to interpret! And as if that weren’t enough, many women have a tendency to turn over and over in their heads most of what is said to them, finding more than what may actually be there.

While men tend to go with the flow without over-analyzing things, women try to find out what’s behind the words they see and hear when dealing with their loved ones. This process is intuitively part of their naturally protective circuitry, helping them emotionally guard themselves and their loved ones. Have you ever heard the statement, “You don’t want to mess with Mother Bear?” This applies here because women are built as nurturers and maintain a natural curiosity about their environment, in order to help them protect themselves and those they love from perceived dangers.

This natural curiosity triggers what I like to call the “need to know” gene. Women have the “need to know” or to discover all the “information” about their surroundings and then make judgment calls as to any dangers that may affect those they love. This of course, can lead to any number of natural responses to the perceived dangers of their surroundings and an inherent desire to analyze all causes and effects. Because curiosity (analyzing) is a natural response for women, it tends to bleed over into other areas of their lives, namely their relationships.

In addition to analyzing most of what is said to them, women may often have hidden meaning in what they say, even if they don’t intend to put it there. Men are not as complicated (in a good way) with their spoken language. What men say is most often what they mean. So, why is it that so many women seem to include hidden messages behind their words? In the same way that women tend to over-analyze things, sometimes they also include hidden meaning in their spoken words. The reasons for this can be partially found by looking at the traditional upbringing and social history of women.

Parents and other adults teach women, at a very early age, that they need to be strong, confident and know what they want. They are also told that they need to be assertive and independent in order to succeed at fulfilling their dreams and desires for their future.

In reality, though, oftentimes the media image of a woman is much different. Society in general, sees images of successful women on television and in the movies that are more demure and non-aggressive, but still get what they need and desire.

The woman on television or in the media, who ends up with the man of her dreams, may have played it “coy,” playing off on her seeming “need” for the man. The media image presented is often in direct conflict with the way that a woman may have been raised. Because of these two conflicting images, women have now received mixed messages and are subjected to confusing images about the way they should behave in society. On top of this, women see the men around them as being intrigued and often fascinated by the media image of a woman, an image that may not always interconnect with the ideals and values that they, as women, were brought up with.

Because of this, women may be unsure how to present themselves and may seek to bring forward aspects of both images at the same time. As a result, they may confuse the two images, hiding their true feelings and thoughts deep within their words, all the while struggling to achieve the final goal of communicating their needs or “message” to those that participate in their lives.

Our environment has a great deal to do with how we relate and react to each other as well as how we communicate with other people. Another huge factor in our character make-up is the individual chemistry that everyone is born with. While much has been said about how different the sexes are, how much do we actually know? The facts show that men and women are conceived equally in terms of their overall intelligence.

However, somewhere between the twelfth and fourteenth weeks of pregnancy, there is a testosterone wash that flows over the brain of a male baby. i This wash does not take place during the formation of a female baby. Let’s take a look at how the brain works and try to understand why this is so important.

Testosterone is one of the main chemicals that enable the brain to manufacture and create serotonin, which is an important neurotransmitter in the brain, causing certain nerve cells in the brain to activate and become livelier. Serotonin can also act as an inhibitor. Most neurotransmitters can act as both an exciter and an inhibitor. Serotonin affects the brain’s interior, known as the ganglia.

The ganglia are the network of the brain, which is divided into two cells, the L cell and the R cell. Scientists believe that one of these cells makes serotonin and the other produces dopamine.

Dopamine is “a monoamine neurotransmitter formed in the brain and is essential to the normal functioning of the central nervous system. ii” Dopamine acts as an inhibitor in the ganglia, thereby causing a calming effect and dampening activity.

It is believed that during the testosterone wash, a balance between the L cells and the R cells are set, determining the amount of serotonin and dopamine that the brain’s network will use. This also determines how spatially or temporally aware a person is, with men being born more spatially aware and women more temporally aware. A person who is spatially aware is generally a “left-brain” individual and someone who is temporally aware, is generally a “right-brain” individual.

The word “spatial” is defined as “relating to space. iii” As men are generally more spatially aware, they tend to be better at judging distances, which comes in handy during parallel parking! The word “temporal,” meanwhile, is defined as being “of or limited by time. iv” This may explain why women seem to be able to associate time and events without much difficulty.

You know what I am talking about here men, that little thing that really bothers men about women — she remembers everything she thinks you have done wrong and when you did it! I believe this is due in part because of a woman’s propensity for temporal awareness.

Because of the testosterone wash, men tend to be more “left- brain” oriented and women rely more readily on the “right-brain.” “Left-brain” individuals tend to be more interested in facts, inclined to logic and reason. They are more motivated in providing for the home and usually more interested in becoming engineers, mathematicians and scientist. These are just a few career choices that a “left-brain” individual might make.

A “right-brain” individual tends to be better at, and more interested in, developing relationships and dealing with emotional issues. They are more inclined to emotions and passions and are generally more motivated by investing in the relationships of the home. Their career choices tend to put them in the roles of caregivers or into jobs where they can use their artistic, investigative and research abilities.

This is in contrast to the general tendencies of “left-brained” individual. Again, a clearer picture begins to be revealed when we look at the differences between the sexes in this light. Most men might find a leisurely reading of Popular Mechanics or Programmer’s Security Desk Reference fundamentally more interesting than reading Ladies’ Home Journal or Parent Child Magazine, while women are just the opposite.

This is simply a matter of one’s interest and NOT an intellectual issue, as both men and women can be motivated for various reasons to read on all the subjects mentioned. Remember that both sexes are born equally in terms of intelligence.

My uncle gave me a funny example the other day of how men see women’s thought patterns when it comes to making decisions. I thought that this insight was a great example of men conquering and women looking for sequence and order before they tackle the matter at hand.

Here’s what he had to say: “Men rule by action. Women rule by committee. For example: Man sees hill, climbs hill. Woman sees hill, forms discussion group, sets up hill climbing committee, votes for hill climbing team, schedules climb date, checks rain fall charts, does studies to locate best path, sends out scouts, and much, much, much, much later… finally climbs the hill.”

The facts stated thus far pertain only to our pre-disposition at birth. The things we experience each day, the lessons that we are taught as we move through our daily lives and the personal choices we make along the way will also be determining factors in how “left-brain” or “right-brain” we become. These factors will also directly affect our communication with and relationship to others.

The good news is that since each of us has the freedom to make personal choices, we can learn to hear and understand each other’s language when we step onto the playing field to begin practice! “Your hands made me and formed me; give me understanding to learn your commands.” Psalms 119:73

Once you step up and onto the playing field, however, you will need to hear exactly what the coach has to say during practice if you want to make it to your first game. Copyright © 2005 Jaci Rae and North Shore Records, Inc. For more information about Winning Points With The Woman In Your Life One Touchdown at a Time, go to: http://www.winningpoints.net or simonsays.com

Jaci Rae is the #1 Best Selling author of “Winning Points with the Woman in Your Life One Touchdown at a Time” ISBN 0974622907 and “The Indie Guide To Music, Marketing and Money” ISBN 978-0-9746229-4-1 as well as the host of the Jaci Rae show. Dubbed by the media as “Racy Jaci” because of her quick wit and “The Rae of Hope,” for her powerful insight, please make sure to check her out at: http://www.jacirae.com To hear Jaci’s popular show, with some of the top behind the scenes as well as famous bands go to: http://www.jacirae.com click on the weekly show link.

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Q&A: What are the Electrical engineering schools in America that offer specialisation in Energy field?

Question by M.Saad: What are the Electrical engineering schools in America that offer specialisation in Energy field?
I’m looking for Engineering universities that show research interest in Energy and Power sector, in particular, Power distribution techniques and Smart grid. I tried to find some but it seemed no one was interested at Power area. Like MIT, Harvard, UCB all are rather motivated for research in Computer sciences.

I want to get schools and researchers that have impact in America’s Electrical power history and can become a reason for the question why do I choose this school.

Also what are prospects of Smart Grid in America and worldwide? Is it really a good field for Electrical/Electronic engineers to Masters in?

Thank you.
@az_lender Thank I looked into UCB and yes it has the very thing I’m looking for, future grids. I’ll look into the rest too. What about the 2nd best ranked Stanford?

Best answer:

Answer by az_lender
Lots of them do. Despite your view about UCB, Berkeley actually has a Power Systems Engineering Research Center. Other US uni’s that come to mind are Georgia Tech, Penn State – Harrisburg, Worcester Polytechnic, Arizona State U, North Carolina State, Iowa State U; there are many more.

What do you think? Answer below!